Friday, January 22, 2010

White Cyc Studios: Boundless Technology

By Phil Guye

White cyc is an individual element used to build a cyclorama that encircles the stage. All the changes in technology have done tiny to switch the way in which the cyc is lighted over time. All the new technology has increased the importance of correct lighting, and using the right kind of material for the white cyc.

What technology has done is take century old technology and make its use necessary for creating virtual backgrounds for VR, and computer effects for the emerging flood of films, and varied video applications dependent on computer systems requiring perfect virtual backgrounds that can only be created in white cyc studios. White cyc studios technology dates back to nineteenth century German Theaters and has bounced around the entertainment industry for a long time. White wall surface was use for early twentieth century Broadway plays and ultimately ended up in Hollywood use for making computer effects.

The white cyc is a very useful tool when it comes to lighting the white surface stage set. The white cyc supplies the lighting designer with an abounded number of lighting probabilities for staging the desired special effects scene. The white cyc with proper lighting will draw the spectators focus to the subject that the producer wants to show off. This is the major advantage of white surface backgrounds, and the reason white cyc studios are used for television commercials, stories programs, music videos, dance routines, and other sorts of film media. White is utilized for the color of the cyc as it leaves the background void so a new background with the desired effect can replace it. The void background is superb for digital fashion photography enhancing the model's appearance and keeping total target the model.

The one or more white cyc studios technology walls can be painted green to mix green screen effects in the white cyclorama flats. This works because the cyc is void of background permitting for the green screen background effect to show up in the place of the white cyclorama background. Using the cyc reinforces the green screen effect by giving it illusions depth and infinite space. Robert Rodriguez exploited a methodology similar when he was filming Sin City when he uses his 1956 Chevy Panel lorry in the film. He places his truck on a platform and films it from all different camera angles. The actors were filmed in front of a green screen background and were composite in the truck film to seem to be inside the van. In reality the actors never were in the wagon during filming. With the enlarging number of computer effects in flicks and TV programs today cyc lighting is terribly essential in making special visual effects.

Flick producers have doubts about using white cyclorama studios for computer effects. The producer's doubts are quickly discharged with clear knowledge of what the cyclorama terraces can do when they witness the results from the production studios. Another use for white cyc studios technology backgrounds is on talk shows when music groups stop by to play one of their new music pieces. The white surface supplies the perfect area for creating a quick music environment.

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